The Book of Mormon Awards


Co-Director, Book, Music, Lyrics

Trey wrote and directed his first feature film, Cannibal! The Musical, while attending the University of Colorado in Boulder. A few years later, he co-created the hit animated series South Park with Matt Stone (his college friend and Cannibal! producer). Debuting on Comedy Central in 1997 and currently in its 17th season, South Park has won four Emmy Awards as well as the coveted Peabody Award. The same year South Park debuted, Trey wrote, directed, and starred in the film Orgazmo. Two years later, Trey and Matt released the critically acclaimed feature film South Park: Bigger, Longer & Uncut. The musical, which Trey directed and co-wrote, earned an Oscar nomination for Best Song and the first ever New York Film Critics Circle Award for Best Animated Film. In 2004, the pair returned to movies with Team America: World Police, an action movie co-written and directed by Trey, starring a cast of marionettes. It was a long-time dream of Trey’s to write a musical for Broadway. Trey is originally from Conifer, Colorado.


Book, Music and Lyrics

Robert is the Tony®, Grammy®, and Emmy® winning co-creator of the smash hit musicals Avenue Q and THE BOOK OF MORMON. With wife Kristen Anderson-Lopez, he wrote the songs for Disney's blockbuster movie Frozen, their hit song "Let It Go" nominated for an Oscar and Golden Globe Award. They also wrote songs for Winnie the Pooh (Disney Animation, 2011) and Finding Nemo: The Musical (playing at Walt Disney World since 2006). They are currently writing an original stage musical called Up Here, directed by Alex Timbers. Bobby shared two Emmy Awards® for his music for The Wonder Pets and an Emmy® nomination for the Scrubs musical episode. His work has been seen on South ParkThe Simpsons, and Phineas and Ferb. Member BMI Workshop, Dramatists Guild Council, WGA, AEA, Yale grad, native NY’er. Thanks Buzzetti, Mom, Dad, Billy, Katie, Annie and especially Kristen for all the love and support.


Book, Music and Lyrics

Matt met Trey Parker at the University of Colorado, and together they made a short animated piece called The Spirit of Christmas. This launched their most recognised work, the critically acclaimed and award-winning television show South Park. The animated series is in its 17th season on Comedy Central and has won four Emmy Awards and the coveted Peabody Award. South Park: Bigger, Longer & Uncut, which he produced and co-wrote, earned the first New York Film Critics Circle Award for Best Animated Film. In addition to South Park, Matt has partnered with Trey on the low-budget Cannibal: The Musical, the superhero comedy Orgazmo and the marionette action thriller Team America: World Police. Matt is originally from Littleton, Colorado.


Co-Director and Choreographer

Casey won 2011 Tony, Drama Desk, Who’s Who and Outer Critics Circle Awards for his work as co-director of The Book of Mormon. Other Broadway credits: Elf: The Musical, The Drowsy Chaperone (2006 Tony, Drama Desk and Outer Critics Circle nominations) and Monty Python’s Spamalot directed by Mike Nichols (2005 Tony, Drama Desk and Outer Critics Circle nominations for Best Choreography). Additional New York credits: for City Center Encores!, the highly acclaimed productions of Anyone Can Whistle and Follies (direction and choreography), Bye Bye Birdie (choreography) and Can-Can (musical staging); for NY Philharmonic: Candide; South Pacific at Carnegie Hall (also on PBS Great Performances); and Sinatra: His Voice, His World, His Way at Radio City Music Hall starring the world-famous Rockettes. He directed and choreographed the world premieres of Minsky’s at Center Theatre Group, Robin and the 7 Hoods at the Old Globe and Disney’s Aladdin at the 5th Avenue in Seattle. Upcoming projects: Tuck Everlasting (Broadway) and an episode of the hit NBC series Smash.


Scenic Design

Selected Broadway: The Book of Mormon (Tony Award), The Pillowman (Tony Award), The House of Blue Leaves, A Steady Rain, A Behanding in Spokane, Promises, Promises, Hair, The Coast of Utopia (Tony, Drama Desk, Outer Critics Circle and Hewes Awards), Pal Joey (Tony Award nomination), Les Liaisons Dangereuses (Tony Award nomination, Drama Desk Award), Nine, The Lieutenant of Inishmore, Speed-the-Plow, November, Cry-Baby, Take Me Out, Martin Short..., The Vertical Hour, Sweet Charity and Urinetown. London: The Playboy of the Western World, The Country Girl, Love Song, On an Average Day (all West End), Tales from Hollywood (Donmar Warehouse), Bash (Almeida) and Albert Herring (Opera North). Also Peter Grimes (Metropolitan Opera) and Cirque du Soleil’s Amaluna.


Costume Design

Theatre includes: Hurlyburly, The Best Little Whorehouse in Texas, Singin’ in the Rain, Purlie, The Odd Couple and Waiting for Godot. Tony Award nominations: The Crucifer of Blood, The Royal Family, Present Laughter and The House of Blue Leaves. Film includes: Midnight Cowboy, Klute, The Day of the Locust (BAFTA), The Goodbye Girl, Coming Home, Hair, Working Girl, Sabrina, Silkwood, The Unbearable Lightness of Being, The Mambo Kings, The Birdcage, The English Patient (Oscar), The Talented Mr Ripley, The Hours, Cold Mountain, Angels in America, The Village and Closer.

Irene Sharaff Lifetime Achievement Award (2000).


Lighting Design

Theatre includes: The Book of Mormon (Tony Award). Recent NYC: Death of a Salesman directed by Mike Nichols, The Mountaintop with Samuel L Jackson, Chinglish on Broadway and The Enchanted Island at the Metropolitan Opera. Last season he designed Le Compte Ory at the Metropolitan Opera. Dance: American Ballet Theatre, Tere O’Connor Dance, Merce Cunningham, Lar Lubovitch, Nancy Bannon et al. Director: Proof, Theatre Three. Awards: Five Tonys, Obie, Bessie, Outer Critics, Hewes, Drama Desk Awards et al. Member: Naked Angels. Faculty: University of Maryland. Father: Jake and Georgie.


Sound Design

Brian is honoured to return to the West End where his previous musical, Spring Awakening, won an Olivier Award. He has designed the sound for over 20 Broadway musicals and plays. Some recent designs include Annie, Bring It On, Nice Work If You Can Get It (Tony Award nomination), The Book of Mormon (Tony Award), Anything Goes (Drama Desk Award), American Idiot, Promises, Promises, Next to Normal (Tony Award nomination), Grease, Curtains, Grey Gardens and The Pajama Game. Off-Broadway designs include Giant, Rent, Everyday Rapture, Saved, 10 Million Miles and Bug (Obie and Lucille Lortel Awards). His career has spanned 25 years, taken him across America, Europe and Asia and afforded him the opportunity to work with the most talented composers, directors, designers, actors, musicians and stagehands in the world, for which he is eternally grateful.


Music Supervision/Vocal Arranger/Co-Orchestrator

Broadway: Tony and Drama Desk Awards for co-orchestrating The Book of Mormon and Grammy Award for Best Musical Theatre Album. Worldwide music supervisor/arranger of Wicked, music supervisor/vocal arranger/orchestrator of Avenue Q, All Shook Up and 9 to 5 and co-producer with Dolly Parton of the Grammy-nominated 9 to 5 Broadway cast recording. Music supervisor/arranger of Kinky Boots. Other credits: music supervisor, vocal arranger and orchestrator of tick, tick…BOOM!, music director of Andrew Lippa’s The Wild Party, music director of Jerry Springer – The Opera (Carnegie Hall) and music director of Rufus Wainwright’s concerts at London’s Royal Opera House and his re-creation of Judy Garland’s legendary concert at Carnegie Hall.


Hair Design

Broadway/Off-Broadway: Dogfight, The Best Man, The Book of Mormon, Elf, The Drowsy Chaperone (and West End), To Be or Not to Be, Pig Farm, The Great American Trailer Park Musical, Altar Boyz and Mamma Mia! USA West Coast: Aladdin, Robin and the 7 Hoods, Peep Show, Minsky’s and Vanities. Other NY: Show Boat at Carnegie Hall, No, No, Nanette and Follies at City Center’s Encores! and numerous productions at Juilliard. USA tours: The Drowsy Chaperone and Barbie Live! Television:
30 Rock.


Make-up Design

Broadway designs include Kinky Boots, Crybaby, Hairspray, Fiddler on the Roof, La Bohème, Flower Drum Song, Cabaret, The Producers, Follies, Sunset Boulevard, Smokey Joe’s Café, Chicago, Guys and Dolls, Crazy for You, Christmas Carol, Titanic, Big and Major Barbara. Films: The Crazies, Little Children, Spiderman 2, Company Man, Runaway Bride, Meet Joe Black, Hearts in Atlantis and The Mirror Has Two Faces.


UK Casting

Pippa has cast over 130 productions internationally. She was resident associate director casting three seasons of European classics for Jonathan Miller at the Old Vic between 1987 and 1991.

Current West End: Kiss Me Kate, Top Hat, Wicked, Billy Elliot, The Lion King (and UK tour), We Will Rock You (and world arena tour) and Let It Be.

West End/London includes: Sweeney Todd, The Lion, the Witch and the Wardrobe, Ragtime, A Midsummer Night’s Dream, The Fairy Queen (Glyndebourne and New York), Fela! (NT and Broadway), Master Class, Legally Blonde, Million Dollar Quartet, Waiting for Godot, Britannicus, The Go Between, Decade, Lord of the Flies, Love Story, Into the Woods, Five Guys Named Moe, Spring Awakening, The Importance of Being Earnest, Marguerite, Chess in Concert, The Drowsy Chaperone, Porgy and Bess, Simply Heavenly, Acorn Antiques, The Postman Always Rings Twice, Blue Man Group (and global), Tonight’s the Night, Disney’s Beauty and the Beast, Japes, Wit, Rent, The Magistrate and Hair. Future: Charlie and the Chocolate Factory, The Pajama Game, From Here to Eternity and The Sound of Music.

Associate Casting Director: Jim Arnold
Associate Casting Co-Ordinator: Natalie Gallacher
Casting Assistant: Louis Constantine


US Casting

Carrie also serves as casting director for the Roundabout Theatre, New York. Broadway: Cyrano de Bergerac, The Importance of Being Earnest, The Pee-wee Herman Show, Bloody Bloody Andrew Jackson, American Idiot, Spring Awakening, Mrs. Warren’s Profession and Les Liaisons Dangereuses. Off-Broadway: Sons of the Prophet, Look Back in Anger, Suicide Incorporated, Dream of the Burning Boy, Tigers Be Still, Ordinary Days, The Understudy, The Language of Trees, Distracted, Speech & Debate and The Marriage of Bette & Boo.



Tony Award for The Book of Mormon. Tony Award nominations: Fiddler on the Roof, A Class Act, Spamalot. Four Emmy Awards as composer of The Wonder Pets (Nickelodeon). Other Broadway includes: The Addams Family, The Scottsboro Boys, Jane Eyre. USA regional, Off-Broadway: 28 shows including The Visit (Kander and Ebb). Seventeen films include multiple Disney films and The Informant! (Marvin Hamlisch). Composer: Little Mermaid II (additional music), Spielberg’s Amazing Stories, In Memoriam (symphonic poem published by E B Marks). Recordings, concerts: Sir Paul McCartney, Barbra Streisand, Not the Messiah (Eric Idle), Mandy Patinkin, Audra McDonald, Brian Stokes Mitchell, Barry Manilow, Maury Yeston, Boston Pops, San Francisco Symphony.


Dance Arrangements

Music supervisor and arranger for The Producers and Young Frankenstein. Other Broadway credits include: Death of a Salesman, The Scottsboro Boys, Spamalot, The Drowsy Chaperone, Beauty and the Beast, The Frogs, High Society, Steel Pier, Dance a Little Closer and A Christmas Carol. For NYCB, he arranged the music and co-wrote the libretto for Double Feature. Future projects: The Nance and Bullets Over Broadway.

Nicolas FINLOW

Musical Director

Nick graduated from the Guildhall School of Music and has a postgraduate diploma in advanced instrumental studies (piano). Musical director for Jersey Boys, Avenue Q (Noël Coward), Victoria Wood’s musical Acorn Antiques (Theatre Royal, Haymarket), Tonight’s The Night (Victoria Palace), Tell Me on a Sunday (Gielgud), Rent (Shaftesbury), Stairway to Heaven (King’s Head), Kiss Me, Kate (Norwich Playhouse), Saturday Night with Johnny & Denise (BBC1) and the BAFTA-nominated film Tomorrow La Scala! Musical director for the workshop productions of Gone with the Wind, Urinetown and Zorro. Associate musical supervisor for Mamma Mia!, musical supervisor/arranger for Dancing Shadows (Seoul, South Korea).

alison pollard

UK Associate Director

Theatre includes: directing Singin’ in the Rain (UK tour), Spamalot (Melbourne, Australia and Cologne, Germany), English Heritage Awards (Palace Theatre), Spongebob Squarepants – The Musical (UK tour) and Chicago (Marrakech and Turkey). Directed and choreographed: Disney’s Beauty and the Beast (five-year international tour), Snow White (Wycombe Swan and Churchill, Bromley), Peter Pan (Churchill, Bromley) and Robin Hood (Palace, Mansfield). Associate director: Love Never Dies (Adelphi), Spamalot (Palace), Chicago (Adelphi and Cambridge), My One and Only (Piccadilly), Rent (Prince of Wales and UK tour), Napoleon (Shaftesbury), Beauty and the Beast (Dominion and UK tour), Show Boat (Prince Edward), Tommy (Shaftesbury and UK tour) and Ain’t Misbehavin’ (Lyric). Assistant Director: The Rocky Horror Show (30th anniversary tour), The New Rocky Horror Show (Victoria Palace), The Rocky Horror Show (UK tour and European tour) and Barnum (UK tour). Choreography includes: EastEnders (three episodes, BBC1), High Spirits (Bridewell), After the Fair (King’s Head), Me and My Girl, Aspects of Love, Boyband and Carousel (Palace, Westcliff). Alison is married to director Jon Emmanuel and they have two children, Jack and Olivia.


UK Associate Choreographer

Training: Hylton Bromley Theatre School. Theatre includes: associate choreographer for The Bodyguard (Adelphi) and Sister Act (Broadway, Hamburg, UK tour), resident choreographer for Monty Python’s Spamalot (Palace), dance captain for Guys and Dolls (Donmar Warehouse production), Chicago (Adelphi) and Chitty Chitty Bang Bang (London Palladium), swing in Starlight Express (Apollo, Victoria) and Disney’s Beauty and the Beast (Dominion) and ensemble in Candide (Kobe/Tokyo). Film includes: Jesus Christ Superstar – The Movie. Other work includes: mass movement co-ordinator for the London 2012 Olympic and Paralympic Opening and Closing Ceremonies.


Production Management

Matt left the Bristol Old Vic Theatre School in 1989 and began working in stage management for the Cambridge Theatre Company, Manchester Royal Exchange and the RSC. He also stage managed tours including Tommy and Crazy for You before moving into production management. West End theatre includes: Quartermaine’s Terms (Wyndham’s), The Bodyguard (Adelphi), A Chorus of Disapproval (Harold Pinter Theatre), The Sunshine Boys (Savoy), Master Class (Vaudeville), Much Ado About Nothing (Wyndham’s), The Wizard of Oz (London Palladium), Private Lives (Vaudeville), Legally Blonde (Savoy), La Bête (Comedy), Priscilla Queen of the Desert (Palace), The Sound of Music, Kiss Me, Kate, Bombay Dreams, Acorn Antiques, Smaller, Tonight’s the Night and Movin’ Out. Other theatre includes: Troilus and Cressida, A Month in the Country, The Dispute and Tantalus (RSC) and tours of Grease, Cats, Saturday Night Fever, The King and I, Starlight Express, Fosse, Chicago and The Sound of Music. International theatre includes: Priscilla Queen of the Desert and Cats (São Paulo), Saturday Night Fever (Johannesburg), Mamma Mia! (South Africa and world tour), Starlight Express (New Zealand), Cats (Germany and Italy) and Batman Live (world arena tour).


UK General Managers

Diane Benjamin is Executive Director of Sonia Friedman Productions and has worked with the company from its earliest days, joining full-time as General Manager in 2005. Previously, she was Business Affairs Manager for the Ambassador Theatre Group and, before that, established and ran the National Theatre’s Contracts Department for 14 years.

Pam Skinner has been Head of Production at SFP since April 2007. Prior to this, she worked for 12 years at the Really Useful Group supervising productions in the West End and internationally.

Stuart Thompson Productions

US General Manager

Since joining Stuart Thompson Productions in 2008, David has managed 12 Broadway productions and tours, including The Book of Mormon and Jerusalem. Previously, David managed numerous Broadway and Off-Broadway shows, including ...Spelling Bee, Show Boat and Barrymore. From 1994 to 2007 he founded and ran the Adirondack Theatre Festival, where he produced more than 60 plays and musicals and led the construction of a new theatre in a vacant Woolworths store in Glens Falls, NY.



Anne Garefino is the executive producer for the Emmy and Peabody Award-winning television series South Park. She has produced two critically acclaimed films with Trey Parker and Matt Stone: South Park: Bigger, Longer & Uncut and Team America: World Police. Before moving to Los Angeles, she lived in Washington, DC, and worked for the public television station WETA-TV. During her tenure at WETA, she co-produced the In Performance at the White House series. The Tony Award-winning production of The Book of Mormon marked Anne’s Broadway debut. She began her career in entertainment at the Folger Shakespeare Theatre on Capitol Hill and is thrilled and honoured to be working in theatre once again. Anne attended Boston College and the American Film Institute and is originally from Lambertville, New Jersey.



Films include Moonrise Kingdom, The Girl with the Dragon Tattoo, Extremely Loud & Incredibly Close, Moneyball, Margaret, The Social Network, True Grit, Greenberg, It’s Complicated, Fantastic Mr. Fox, Julie & Julia, Doubt, No Country for Old Men, There Will Be Blood, Reprise, The Queen, Margot at the Wedding, Notes on a Scandal, Venus, Closer, Team America: World Police, I Heart Huckabees, School of Rock, The Hours, Iris, The Royal Tenenbaums, Zoolander, Sleepy Hollow, Wonder Boys, Bringing Out the Dead, South Park: Bigger, Longer & Uncut, The Truman Show, In & Out, Ransom, The First Wives Club, Clueless, Nobody’s Fool, The Firm, Searching for Bobby Fischer, Sister Act and The Addams Family. Theatre includes Passion, Hamlet, Seven Guitars, A Funny Thing Happened on the Way to the Forum, Skylight, The Chairs, The Blue Room, Closer, Amy’s View, Copenhagen, The Designated Mourner, The Goat, or Who Is Sylvia?, Caroline, or Change, The Normal Heart, Who’s Afraid of Virginia Woolf?, Doubt, Faith Healer, The History Boys, Shining City, Stuff Happens, The Vertical Hour, The Year of Magical Thinking, Gypsy, God of Carnage, Fences, The House of Blue Leaves, Jerusalem, The Motherf**ker With the Hat, One Man, Two Guvnors and Death of a Salesman. Television includes The Newsroom.


Producer & UK General Manager

Sonia Friedman has initiated and produced more than 130 new productions over the past 15 years. Recent West End and Broadway productions include: the UK premiere of The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone, Old Times by Harold Pinter, Twelfth Night and Richard III, A Chorus of Disapproval by Alan Ayckbourn, Nice Work If You Can Get It by George and Ira Gershwin and Joe DiPietro, The Sunshine Boys by Neil Simon, Jerusalem by Jez Butterworth, Hay Fever by Noël Coward, Absent Friends by Alan Ayckbourn, The Mountaintop by Katori Hall, Betrayal by Harold Pinter, Much Ado About Nothing, Legally Blonde The Musical by Laurence O’Keefe, Nell Benjamin and Heather Hach, La Cage aux Folles by Jerry Herman and Harvey Fierstein, Arcadia by Tom Stoppard, Clybourne Park by Bruce Norris, The Children’s Hour by Lillian Hellman, La Bête by David Hirson, All My Sons by Arthur Miller, Private Lives by Noël Coward, A View from the Bridge by Arthur Miller, The Norman Conquests by Alan Ayckbourn, A Little Night Music by Stephen Sondheim and Hugh Wheeler, Othello, Boeing-Boeing by Marc Camoletti, translated by Beverley Cross and Francis Evans, No Man’s Land by Harold Pinter, The Seagull by Anton Chekhov, in a new version by Christopher Hampton, Rock ’n’ Roll by Tom Stoppard, The Dumb Waiter by Harold Pinter, The Woman in White by Andrew Lloyd Webber, David Zippel and Charlotte Jones and Faith Healer by Brian Friel.



Recent productions include War Horse, Nice Work If You Can Get It, Annie, Cat on a Hot Tin Roof, Lucky Guy, Copenhagen, Kiss Me, Kate, Proof, Medea, Anna in the Tropics, Caroline, or Change, Wonderful Town, Doubt, The History Boys, Who’s Afraid of Virginia Woolf?, Faith Healer, Deuce, The Year of Magical Thinking, Curtains, Rock ’n’ Roll, Is He Dead?, Gypsy, 13, Equus, Ragtime, A Little Night Music, A Behanding in Spokane, Driving Miss Daisy, La Bête, Arcadia and Jerusalem.




Scott M. Delman is proud to once again be in partnership with Anne Garefino, Scott Rudin and Sonia Friedman. Scott has previously co-produced 25 plays and musicals on Broadway and London’s West End and won Tony Awards for The Book of Mormon and Death of a Salesman.



Death of a Salesman (Tony Award), The Mountaintop (Olivier Award), The Motherf**ker with the Hat, August: Osage County (Tony Award, Pulitzer Prize), Our Town (Lortel, Obie Awards), Tribes (Drama Desk Award), Cock, as well as upcoming film adaptations of August: Osage County, Blackbird and Galveston.



Roy Furman has produced dozens of Broadway musicals and plays, including The Book of Mormon (Best Musical Tony Award), War Horse (Best Play Tony Award), The Addams Family, The Color Purple (Tony Award for LaChanze), Spamalot (Best Musical Tony Award), Gypsy, Legally Blonde, The History Boys (Best Play Tony Award), Dirty Rotten Scoundrels, All My Sons, Inherit the Wind, Fortune’s Fool (Tony Awards for Alan Bates and Frank Langella), Sly Fox and Fosse (Best Musical Tony Award). Roy Furman co-founded the investment firm Furman Selz and is currently Vice Chairman of Jefferies & Company and Chairman of Jefferies Capital Partners, a group of private equity funds. He is Vice Chairman of Lincoln Center for the Performing Arts, Chairman Emeritus of the Film Society of Lincoln Center, a trustee of Guild Hall, and former President of the Phoenix Theatre.



Founder, Green Curtain Productions (GCP).  Ms. McClelland has six Tony and Drama Desk Awards and over 50 theatrical productions worldwide.   Broadway credits include: Cripple of Inishman,  All The Way, Raisin in the Sun, After Midnight , Betrayal, Twelfth Night/Richard III, Testament of Mary, I’ll Eat You Last, The Heiress, One Man Two Guvnors, Jerusalem, Arcadia, La Bête, Red, The Addams Family, A Behanding in Spokane, Ragtime, Hamlet, All My Sons, Sunday in the Park With George, Cyrano de Bergerac, Journey’s End, History Boys, Drowsy Chaperone, The Color Purple, Spamalot, Glengarry Glen Ross,  Pillowman, Democracy, Jumpers, Flower Drum Song.  Boards: The Juilliard School and American Associates of the National Theatre.   Love and gratitude to my family.



Proudly Trey and Matt’s lawyer for many years. Founder and managing partner of Los Angeles law firm Morris Yorn. Has served as producer and executive producer on a number of television and film projects, including the 1997 documentary film Hands on a Hardbody. In addition to his law practice, his writing has been featured in The Los Angeles Times and Wall Street Journal. Love and thanks to Gaby. Their beautiful kids, Rocky and Dulcie, won’t be allowed to see this production for a long time.



Tony Awards: Angels in America: Millennium Approaches (Pulitzer Prize)/Perestroika, Clybourne Park (Pulitzer Prize), Copenhagen, God of Carnage, The Book of Mormon and Death of a Salesman. Tony Award nominations: Wicked, Peter Pan, The Diary of Anne Frank, Hello, Dolly!, The Lonesome West, You’re Welcome America, Man of La Mancha, A View from the Bridge, The Motherf**cker With the Hat, Jerusalem, Venus in Fur and Nice Work If You Can Get It. Off-Broadway: Cock. Tours: Wicked and The Book of Mormon. 2012 Robert Whitehead Award for Outstanding Achievement in Commercial Theatre Producing.



Robert G. Bartner produces frequently in the West End and on Broadway and his works have garnered five Olivier Awards, seven Tony Awards and two Pulitzer Prizes. West End: The Audience, A Chorus Line, The Bodyguard, Uncle Vanya, Richard III/Twelfth Night starring Mark Rylance, A Chorus of Disapproval, Long Day’s Journey into Night, Sweeney Todd, Betrayal, Flare Path, Clybourne Park (Olivier Award), Enron, All My Sons, Yes, Prime Minister, La Bête, Jerusalem, Legally Blonde (Olivier Award), The Misanthrope, The Mountaintop (Olivier Award), La Cage aux Folles (Olivier Award), Company, Rock ’n’ Roll, Guys and Dolls (Olivier Award) and Porgy and Bess. UK tours: Cats, Priscilla Queen of the Desert, Yes, Prime Minister, Spamalot, West Side Story and Flashdance. Broadway: Cat on a Hot Tin Roof, Porgy and Bess (Tony Award), The Book of Mormon (Tony Award), Jerusalem, The Motherf**ker with the Hat, Memphis (Tony Award), La Cage aux Folles (Tony Award), A View from the Bridge, The Norman Conquests (Tony Award), The Seagull, Boeing-Boeing (Tony Award), Company (Tony Award), Sweeney Todd and Anna in the Tropics (Pulitzer). Off-Broadway: Wit (Pulitzer). Bob thanks M Beverly and the family for their love and support.



Norman Tulchin’s productions have garnered five Olivier Awards and six Tony Awards. Broadway: Cat on a Hot Tin Roof, The Gershwins’ Porgy and Bess (Tony Award), The Book of Mormon (Tony Award), Jerusalem, The Motherf**ker with the Hat, La Cage aux Folles (Tony Award), A View from the Bridge, The Norman Conquests (Tony Award), Exit the King, The Seagull, Boeing-Boeing (Tony Award), Company (Tony Award), Sweeney Todd, Vincent in Brixton and Fortune’s Fool. Off-Broadway: Trying. USA tours: The Book of Mormon (Chicago and national touring companies), La Cage aux Folles, South Pacific and 9 to 5. West End: The Audience, A Chorus Line, The Bodyguard, Uncle Vanya, Richard III/Twelfth Night starring Mark Rylance, A Chorus of Disapproval, Long Day’s Journey Into Night, Sweeney Todd, Flare Path, Clybourne Park (Olivier Award), La Bête, Jerusalem, Legally Blonde (Olivier Award), The Mountaintop (Olivier Award), La Cage aux Folles (Olivier Award), Guys and Dolls (Olivier Award), Porgy and Bess, Hitchcock Blonde and Whose Life Is It Anyway? UK tours: Cats, Priscilla Queen of the Desert, Spamalot, West Side Story and Flashdance. Additionally, Norman Tulchin is now preparing a film based on the Royal Court production of I Just Stopped By to See the Man by Stephen Jeffreys.



Stuart Thompson is the executive producer of the three USA The Book of Mormon companies. He is also represented this season on Broadway with Cat on a Hot Tin Roof starring Scarlett Johansson. Recent producing credits include Cock (Off-Broadway). On Broadway: Death of a Salesman (2012), God of Carnage, Jerusalem, The Motherf**ker with the Hat, A View from the Bridge (2010), The Retreat from Moscow, The Play What I Wrote, The Tale of the Allergist’s Wife, Not About Nightingales, The Chairs, Exit the King and Proof. His general management company has been responsible for more than 60 productions on Broadway and on tour throughout the USA.


Executive Producer

Recent credits include executive producer of the West End production and the US National Tour of Shrek The Musical, and general manager of the Broadway production of One Man, Two Guvnors. James was a general manager with Stuart Thompson Productions in New York, where his Broadway and touring productions included Shrek The Musical, Caroline, or Change, Doubt, The Year of Magical Thinking, Proof, Faith Healer, Three Days of Rain, Life (X) 3, The Blue Room, Amy’s View, The Judas Kiss and Take Me Out. He was the company manager of Manhattan Theatre Club for three seasons, and is a graduate of the Yale School of Drama.

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